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10 Scandinavian Vases and the Art of the Single Stem

A bouquet is a Friday purchase and a Tuesday problem. Ten Nordic vessels for one stem, three stems or a branch, from a pin holder to a frosted glass tower.

••8 min read
10 Scandinavian Vases and the Art of the Single Stem

10 Scandinavian Vases and the Art of the Single Stem

A full bouquet is a Friday purchase and a Tuesday problem. It arrives in paper, takes twenty minutes to strip and cut, and by midweek a third of it has gone over while the rest is still fine. The Nordic habit is smaller and much older: one stem, or three, in something that fits them. A branch off the tree by the door in September, a single dahlia from the market stall, whatever is left standing in the border after the first cold night.

What makes that work is the vessel. A wide mouth lets everything fall outwards and look accidental; a narrow one holds a stem exactly where you put it. These are ten of them, from a pin holder that costs less than the flowers to a frosted tower for branches, in glass and in clay. All ten are in stock and available to compare across the UK, Germany, Norway and Denmark on ScandiDeals.

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1. Hein Studio Kenzan – Where The Stem Begins

Start with the piece that is not a vase. The Hein Studio Kenzan, 2.3 centimetres across, is a weighted disc set with a crown of upright brass-coloured pins — the tool Japanese flower arranging has used for centuries. Press a stem onto the pins and it stays at the angle you chose rather than the angle gravity prefers. Drop it into a shallow bowl or a saucer, add a centimetre of water, and one branch becomes an arrangement. It is the least expensive thing on this list by a wide margin.

Hein Studio Kenzan vase Ø2.3 cm

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2. Scandi Living Flor Hyacinth Vase – A Bulb, Not Flowers

The hyacinth glass is an old idea with one job: hold a bulb above water so the roots can drink while the bulb itself stays dry. The Scandi Living Flor hyacinth vase in brown does it in waisted glass with a bark-like texture, the cup at the top sized for a single bulb. Late September is the week to start one if you want flowers indoors at midwinter: somewhere dark and cool for a month, then into the light. Watching the roots fill the base is half the point.

Scandi Living Flor hyacinth vase Brown

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3. Cooee Design Twist Bulb Vase – Clear Glass, One Turn

The Cooee Design Twist bulb vase, 12.8 centimetres, takes the same bulb-glass silhouette and puts a slow twist through the middle of it. In clear glass, so the water and the length of the stem are part of the object rather than something to hide. Small enough for a bathroom shelf or the sill above the sink, and the narrow waist stops a single ranunculus sliding to one side. Clear glass asks for clean water; change it every other day and the vase disappears around the flower.

Cooee Design Twist bulb vase 12.8 cm Clear

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4. HAY Conical Vase – A Cone On A Foot

Exactly what the name promises. The HAY Conical vase in light blue and lavender, small is a cone rising from a round foot, in a pale lavender blue that reads as grey on a dull morning and as colour the moment the sun comes round. Because the cone narrows towards the base, three or four short stems gather themselves into a bunch without help. It is the piece for places where a vase has to be small: a bedside table, a desk, the end of a kitchen shelf.

HAY Conical vase Light blue-lavender blue, small

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5. Knabstrup Keramik Ribbed Vase – Coral Fluting, Danish Pottery

Knabstrup is a Danish pottery name, and this is the shape it is known for. The Knabstrup ribbed vase, 20 centimetres, has a full body drawn into a short neck, the whole surface cut into fine vertical flutes that give a flat glaze something to do with the light. The coral is warm rather than loud, and sits well against oak and white walls. Opaque clay hides the stems entirely, which matters in October, when the stems are the least attractive part of the flower.

Knabstrup Keramik vase ribbed 20 cm Coral

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6. Kosta Boda Limelight Tulip – A Collar For Tulips

Tulips carry on growing after they are cut, then lean out of whatever they are standing in. The Kosta Boda Limelight Tulip vase in smoked grey answers that with a wide flat rim standing proud of the cylinder like a collar, gathering the stems at the top so the bunch stays upright as it stretches. Smoked grey glass, 19.5 centimetres, from one of Sweden's old glassworks. Out of tulip season it takes a fistful of anemones, or nothing at all, and still holds the table.

Kosta Boda Limelight Tulip vase 19.5 cm Smoked grey

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7. Iittala Solare Vase – Finnish Grey, Flared Open

The Iittala Solare vase, high, in steel grey is a tall flared form, 26 centimetres up and 12 across at the mouth, narrow at the foot and opening steadily to the rim. The grey sits in the material rather than on it, so the vase moves from almost clear at the top to a deeper tone where the wall thickens. The flare suits stems that want to fan out: cow parsley, grasses, anything with air in it.

Iittala Solare vase high Ø12x26 cm Steel gray

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8. House Doctor Dot Vase – Overlapping Discs, Thirty Centimetres

The House Doctor Dot vase, 30 centimetres, is a plain cylinder covered from base to rim in small overlapping discs, laid like scales. In an off-white glaze it turns into a column of shadow and highlight that changes as you walk past it. That texture is why it passes the real test of a vase: it looks deliberate standing empty on a hall table in February. Give it height rather than colour — pussy willow, eucalyptus, three bare branches cut to different lengths.

House Doctor Dot vase 30 cm

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9. Ferm Living Moire Vase – Fine Rings, Soft Waves

The Ferm Living Moire vase, 19 by 30 centimetres, in off-white has a wall that waves gently in and out, built up in fine horizontal rings so the whole surface reads like a contour map. Off-white on a white wall is the quiet choice, and the ripple stops it from being a plain tube. The mouth is generous, so this one does want a handful rather than a stem: hydrangea heads, dahlias, a bunch of something with weight to it.

Ferm Living Moire vase 19x30 cm Off-white

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10. Muuto Ridge Vase – Tall, Frosted, For Branches

The Muuto Ridge vase in frosted glass, 35 centimetres is flattened front to back, with soft shoulders and a low ridge running up the face, in a frosted pale blue that turns a lamp behind it into a glow. Thirty-five centimetres is the height that takes a branch without needing a forest to balance it. Frosted glass hides the stems and the waterline, the practical argument for it in a room where the vase stands on the floor or at the end of a long table.

Muuto Ridge vase frosted glass 35 cm Light blue

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Final Thoughts

Only two of these ten want a bouquet. The rest are built for one stem, three stems or a branch, which is the way most flowers are actually bought in the Nordic countries: a little, often, and in season. It is a cheaper habit than it looks: a stem a week, changed on a Saturday, costs less over a year than one big bunch a month, and the house is never without something living in it.

Buy for the room you have rather than the arrangement you imagine. One small vessel by the bed, one mid-height piece for the table and one tall vase for branches will cover almost everything a year throws at you. All ten are in stock in the UK, Germany, Norway and Denmark, and prices across the Nordic shops move week to week, so they are worth comparing on ScandiDeals before you decide.